Implementing AI at work — your legal obligations

We explore how AI is transforming data protection, the risks that organisations now face and what effective compliance looks like today.
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AuthorsSara LudlamEmily Rickard
8 min read
Commercial & Contracts, Games & Interactive Entertainment, Intellectual Property, Technology, Media & Telecoms

The European Union Intellectual Property Office (EUIPO) has ushered in a new chapter for design protection across the EU, with reforms to the legal framework governing design rights. Effective across two phases — from 1 May 2025 and 1 July 2026 — these changes modernise the system to better reflect the realities of digital innovation and global commerce.
Here, Sara Ludlam, Emily Rickard and Safaa Zbiri explain the changes that have been implemented — including the introduction of a new ‘D’ symbol to indicate protected status via registered design — and what they’ll mean in practice.
The existing EU laws provide protection for unregistered design rights (three years) and registered designs (up to 25 years, subject to paying renewal fees every five years).
In the UK, the registered design protection period is the same but unregistered design rights have up to ten years’ protection.
You can file one application at the EUIPO and obtain registered design protection in all EU member states.
The EU design rights regime was established over two decades ago and no longer adequately addresses the modern design world.
The reforms seek to rectify this by:
In addition, the legislation:
What can be protected by design law is defined by reference to ‘product’ — and the definitions of ‘design’ and ‘product’ have been expanded, with a ‘design’ now including movement, transition and animation. This opens the door to protection for dynamic digital interfaces and reflects the fact that designs and products are no longer confined to physical products but can exist in virtual spaces. Such designs (with no physical embodiment) are now explicitly eligible for protection.
The term 'design' is now defined as “the appearance of the whole or a part of a product resulting from its features, in particular, the lines, contours, colours, shape, texture or materials of the product itself and/or its decoration including the movement, transition or any other animation of those features”.
Meanwhile, ‘product’ now encompasses virtual and non-physical items such as graphical user interfaces (GUIs) and typographic typefaces. However, software remains excluded.
The Registered Community Design (RCD) is now the Registered European Union Design (REUD), while the Unregistered Community Design (UCD) becomes the Unregistered European Union Design (UEUD).
From 1 May 2025, holders of REUDs may use the Ⓓ symbol — known as ‘the design notice’ — to indicate protected status through registration. This information can help to prevent the infringement of products that are protected by design registrations and also add value to the protection itself.
If you’re relying on unregistered design rights, you won’t be able to use the design notice. However, it’s recommended that (where appropriate) you state on your websites, products and/or packaging that you own particular unregistered design rights, whether these exist in the EU or UK.
There’s currently no equivalent symbol for a registered or unregistered design notices for UK designs.
Remember, the existing IP notices are ™ (unregistered trade mark), ® (registered trade mark) and © (copyright work).
Applications can now only be submitted directly to the EUIPO, rather than via national IP offices.
Currently, only static images can be registered and the application is limited to seven ‘views’ of the design — making it practically impossible to register a complex design or animated digital designs (such as app interfaces).
The seven-view limit will be lifted from 1 July 2026 to allow more flexibility. Exact limits will be defined in secondary legislation. Applicants will also be able to file video files from that same date. This aligns with existing practices for motion trade marks and reflects the EUIPO’s commitment to accommodating technological advances.
The legislation also introduces greater flexibility in multiple design applications. Up to 50 designs can now be filed in a single application — regardless of their Locarno classification — significantly reducing costs.
Design holders now have new rights to prevent third parties from using new technologies to reproduce their designs. They can prohibit third parties from “creating, downloading, copying, sharing or distributing to others any medium or software which records the design” for the purposes of reproduction without their permission. This is particularly relevant in the context of 3D printing.
Additionally, rights can be enforced against third parties that are bringing infringing products into the EU — irrespective of whether the infringing products are intended to be released into the commercial market (i.e., where they’re only transiting through the EU).
The reforms clarify that design protection applies to features shown in the registration even if they’re not visible at all times on the actual product itself. For example, the underside of a bicycle saddle may qualify for protection.
The repair clause — which excludes design protection for “must-match” spare parts — is now permanent and must be implemented by member states by December 2032. The aim is to ensure fair competition in the aftermarket for spare parts, particularly in sectors like automotive repair where design protection could otherwise be used to monopolise replacement components.
Under the new rules, applicants seeking deferment of publication must now pay the full fee upfront to secure a filing date, even if deferment is requested.
To avoid automatic publication, designs must be surrendered at least three months before the end of the 30-month deferment period, although a four-month buffer is recommended.
From 1 May 2025, the updated rules introduced a referential use exception that explicitly allows registered designs to be used for purposes such as comment, critique or parody.
The new regulation also introduces a single application fee, which consolidates the former registration and publication fees.
However, renewal fees started to increase significantly from 1 May 2025:
For unregistered designs, the requirement that public disclosure must occur within the EU has been removed. However, legal interpretation is pending and design right owners are advised to disclose within the EU or file for registration within the 12-month novelty grace period.
Recommendation:
1. Disclosing within the physical EU territory remains the safest route if the design owner is relying solely on unregistered design right protection.
2. However, if it’s first disclosed outside the EU, the safest way is to file for a registered EU design within the 12-month novelty grace period.
These reforms mark a pivotal shift in EU design law, offering greater clarity, flexibility and protection in an increasingly digital and globalised marketplace. For businesses and designers alike, understanding and adapting to these changes will be key to securing and enforcing design rights in the years ahead.
A greater variety of designs are now expressly protectable. This will be particularly relevant to:
Many of the above changes took effect from 1 May 2025. However, the most significant impact will occur on 1 July 2026, when the new design representation regime is introduced. From then, it’ll become easier to obtain registrations for designs that are embodied in non-physical products and designs will be able to be represented in digital formats such as JPEG files. Notably, the seven static view limit will be abolished, with applicants now able to submit video files.
Once all provisions are implemented, it’s expected that there’ll be a notable increase in the volume and diversity of designs registered in the EU.
Our experienced intellectual property lawyers can help you to understand, navigate and maximise the new EU design regime — whether you need assistance with securing registrations or defending, enforcing or managing your rights.
Talk to us by giving us a call, sending us an email or completing our contact form below.

Sara Ludlam
Sara is a Partner and Chartered Trade Mark Attorney in our commercial and intellectual property (IP) team.
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